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Steve Morano – Jacksons Corner – Album

21 Sunday Jul 2013

Posted by luthersboogie in Album Review

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Alt. Country, americana, Collision Music, folk, Jacksons Corner, Music, Steve Morano

Jacksons_corner_cover-800Jacksons Corner is the latest release to land in my lap from Collision Music, and another fine release it is too. The releases may not be to frequent from this label but the quality of the recordings when they do come are first class, and so it is with this album from Steve Morano. Steve has a soulful and engaging voice, full of fragile quivering highs and soft understated lows, he delivers songs largely about love and lost love with the occasional foray into life and the everyday hardships it brings. The sound manages to tread the line somewhere between folk and Americana with a healthy dash of both and recorded to sound like a real band. The songs are beautifully arranged and bring together an array of instruments on top of the standard drums, bass and guitar, but this extra instrumentation has been used where it needs to be used and not plastered thoughtlessly over everything, when it’s required it’s there. if I were pushed to give some reference points for this album I would say Steve Morano has a bit of David Gray mixed with maybe a tinge of Ryan Adams.

The tempo of the album is generally laid back and melancholy with some real downbeat moments to twang at your heartstrings, Steve has obviously had a rock road in search of love. These down moments though are counterpointed at just the right points, with moments of hope and optimism, in the form of a few slightly more upbeat songs sprinkled throughout. For me there are some standout tunes on the album, two of them I had already clocked last year as they were released as singles, ‘Donna’ is a soulful unrequited love song that has a ridiculously catchy bounce to it, whilst the follow-up single ‘Jacksons Corner’ is a real grower, with its laid back slide notes running in at the start to it’s soulful chorus. I believe this song was written in response to news of the imminent closure of the Reading store of the same name.

In addition to the singles for me ‘Working Life’, ‘Tired’ and ‘I think I’m in Trouble’ are each worthy of a release as a single in my humble opinion. Check out three of the tunes below and then go get the album, but don’t blame me if you get stuck humming ‘Donna’ everywhere you go.

Wood Festival 2013

03 Monday Jun 2013

Posted by luthersboogie in Live Review

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Alt. Country, Alternative Folk, americana, Country, Music, Oxfordshire, Wood Festival

Wood Festival 2013

Oxford Ukeleles perfoming at Wood Festival 2013

Wood, oh Wood, why have I never been before? Life is to short for regrets as I often say, but sometimes you feel you may have been missing out, and this festival is a prime example. What made Wood Festival so appealing you may ask, well it’s almost hard to put your finger on, but I would say it’s the fact that it’s a festival that thinks its more a party for a huge bunch of mates, there’s no pretentiousness to proceedings, ask a lot of the people attending and they won’t have heard a lot of the bands on the bill, but they are there enjoying them all the same, happy to explore the unknown. The rather cool side of the festival is the family oriented nature of it. A friend at the festival summed it up when she said “most of the time I have to leave festivals well before the fun really starts because the kids are tired and bored, I’ve spent all day keeping an eye on them and haven’t got to enjoy any of the music I want to see. At Wood it’s me who has to drag the kids away at the end of the night, there’s so much for them to do.”

This is the key, it’s a festival that caters for the family, a family where parents have grown up loving live music, going to festivals and socialising with friends made on muddy fields all over the country. Now with the responsibilities of looking after young charges most festivals just aren’t aimed at or suitable for families with young kids.

I spent the full three day weekend at this lovely festival, nestled on the side of a small hill at the beautiful Braziers Park. The site was well organised, plenty of space, an awesome Ale tent (no crappy sponsored larger tent here) great food options including vegetarian, at very sensible prices. Workshops galore and a large kids tent with a plethora of activities, all included in the price. There was a healing field which I took advantage of, my backs not felt this good for a while. There were a sprinkling of stalls and two stages, the main Wood Shed stage and the Tree stage. The festival is run on renewable energy and featured a large solar panel array by the main stage.

The music kicked off on Friday at 6pm, and although the site had only been open for 3 hours there was already a reasonable crowd for the opening act Julie Hawk, who gave a quite ethereal soundtrack to setting up my camper. On the first evening I flitted between the two stages catching performances by The August List who, despite their pump organ jamming up in the damp spring evening air, put on a very engaging performance and even threw in a joke or two. Danny and the Champions of the World rocked the main stage and managed to cram a rather large amount of musicians on the small stage, it’s the first time I’ve caught them live and I have to say frontman Danny Wilson has got one hell of a voice and they have some superb songs in their locker, my one gripe was over use of the long solo break within some songs, but that’s a personal thing, everyone else seemed to love it. In between I managed to catch parts of sets by Jess Hall with some heartbreaking songs and the thoroughly entertaining Oxford Ukuleles who managed to take any genre of song and turn it into a compelling and entertaining string and vocal triumph. They certainly got everyone in the tent singing along. Finally on the main stage the headline act that I had been looking forward too, Mary Epworth, I have to say at this point the band had a few technical issues to start off with, and the constant changing of instruments by the band members for each song gave the performance a very disjointed and almost rehearsal room feel. It might be a bit harsh but I’d also suggest that they get a dedicated drummer, that apart the band managed to pull it out of the bag during the later half of the set which showed off Mary Epworth’s talent for writing and delivering songs of real strength, passion and beauty.

Saturday’s Music got underway at 1pm, with the weather warming up and the sun making ever more lengthy appearances through the high cloud. I admit at this point my ale drinking started a little earlier than is normal these days, but this just served to make the day flow even better. Again, I wandered between Main Stage, Beer Tent, Tree Stage and back again. There was a lot to see, and as with all festivals you have to make a choice between who to see and who to miss, so to all those that I missed I apologise, but for me the performances I clocked and enjoyed were Adam Barnes, not only did he have one of the finest beards of the weekend he sung some beautifully mournful songs, which he seemed to apologise for at the end, there really was no need, the performance lifted the atmosphere which to that point had been a little subdued. The mournful was then flipped on its head as Jack Cade and the Everyday Sinners took to the stage to deliver a rousing country, alt country come rockabilly set, a veritable mix of tunes with a deep Tom Waits style vocal complimented by some lovely backing vocals, which was very uplifting in the sunshine. Flights of Helios then took the music of on another tangent under the now bright blue sky. Later in the day I caught Paper Aeroplanes who were, I must say pretty damn awesome, particularly when delivering some great new material from there recently released album ‘Little Letters’. Into the final stretch of the evening I caught three sets of real note each completely different, first up we’re aptly named Wood Brothers, this trio of guitar bass and drums with vocals all round really show why bands from the States really have the edge when it comes to performing live, I know they gig one hell of a lot and it shows, they got the field up on it’s feet for some awesome roots country. During the change over I shot over to the Tree Stage to catch some of Edd Keene and his pulsating loop pedal grooves, if there is and instrument Edd doesn’t know how to play I’m not sure what it is, maybe it’s the Hurdy Gurdy that La Mort Subite frontman Zarand wields with such dexterity. I’m not sure I’d usually be the first in line to see a band with this instrumentation, but they’ve certainly changed my mind on that score with a rip-roaring set that took the already lively crowd to another level with their Eastern European folk and Gypsy Jazz set. It’s not an easy feat to follow on from the Wood Brothers, however, they pulled it off. Wow what a day.

On Sunday, feeling a little jaded, ok pretty hung over to be truthful, from the previous days endeavours at the bar, and the late night revelry around the big fire, suitably or unfortunately situated by the bar, I set myself up at the tree tent stage for the day (apologies to the bands on the main stage). The reason for this is that today the tent has been taken over by one of my favourite labels, Clubhouse Records, as far as I can see this should be a pretty flawless day. It kicks off with Mad Staring Eyes who I’m unfamiliar with, they deliver a strong and wholesome set with a good balance of harmonies between the male and female leads and some clever lyrical numbers. They are followed by Paul McClure, who delivers some poetically subtle folk tunes in between some brilliantly comical observations. The Arlenes delivered the perfect match of male and female vocals, there voices really do work well together. Case Hardin I’m very familiar with and they are in fine form today with a set of laid back heartfelt songs, they’ve added a new member since I last caught them, and it really does enhance there set with the addition of violin and keys, which both serve to complement Pete Gow’s rough hewn gems. The Redlands Palomino are a blast following on, with their edgy guitars and sweet, sweet lilting tunes, what great vocals and so the beers begin to flow slightly to freely again, which just makes the music mellow me out even more and broaden the smile ever so slightly.

By the time we hit the evening we are into the Nebraska sessions, which features each of the artists from the day performing a rendition from Springsteen’s seminal album. This is a thoroughly entertain set as each artist or band takes to the stage delivering the songs in a variety of styles, the stand outs for me are Redlands Palomino, Case Hardin and Dreaming Spires.

The night is rounded of by a thoroughly great performance with some driving, uplifting tunes from The Dreaming Spires, what a grande way to finish off an inspiring and uplifting weekend. The band are also behind the organisation of the event, I have to say, hats off to them for creating such an excellent event, but also for having the hubris to give the prime slots of the weekend to other acts.

Wood you were awesome, thanks for a great weekend of lovely people, music, entertainment and revitalisation.

The Ultimate End

29 Tuesday Jan 2013

Posted by luthersboogie in Live Review

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Alternative, club Velocity, Music, Reading, The rising sun, The ultimate end

The Ultimate End

The beginning of The Ultimate End

When you hit the stage for the first time as a newly formed band, regardless of the months spent writing and hours meticulously rehearsing your set, it’s always a big ask to expect a performance of confidence and continuity delivered with a swagger, however, it can happen, and tonight was a case in point for Reading’s latest band The Ultimate End. It has to be said the band are comprised of musicians and singers who have their own individual track records, but even so, this was a great first gig. If my expectations prior to the gig were high then they are now raised somewhat more for any future gigs.

Front man James Histed led the way, it’s the first time I’ve seen him play without a low slung guitar over his shoulder, he moved, he swayed, he even leapt around the stage, in-spite of the rather heavy looking shoe wear, cool flares and velvet jacket trying to drag him back down to earth. I know James is a great admirer of Jarvis Cocker, and some of his moves owe much to his idol, but vocally he puts me in mind of a modern day incarnation of Peter Perrett crossed with Howard Devoto, he has great vibrato quality to his vocal and an ability to go from spitting out words to an almost operatic squeal. But the vocals truly hit the highs when the backing of Maija comes into play at key points in the songs. On bass, hiding under the peak of his cap Zac Yeo beats out the sort of bass lines any bass player would love to get their hands on. In the left corner, caged behind amps, keyboards and PA speakers was Raji, belting out some snarling guitar riffs, I see now why he’s been hemmed in. If I new the drummers name it would be here too as he managed to hit rhythms that both complimented and were an integral part each song, without trying to dominate, drumming as it should be.

Musically the band well and truly deliver a slice of classic eighties alternative rock. As they move through this short introductory set various references spring to mind Magazine, The Cure and Japan are top of the list. That’s not go say they directly sound like those bands but there is a definite sense of inspiration, luckily, unlike so many eighties inspired bands I’ve heard of late where, having lived through that decade, I can see where they have lifted their tunes, The Ultimate End are very much their own band.

There were several stand out moments for me, I loved the tracks ‘The final Breakdown’ and ‘It’s all over for you’ but the two songs that linger in the memory are ‘Speciesism’ which has got one hell of a fuck off bass line, I didn’t want it to stop, particularly when the aggressive distorted keyboard solo kicked in followed by a Stylophone, Rolf never played it like that when I was a kid, if only I’d have realised its potential back then, this is a song to end a show with if ever there was one. Hard on it’s heals was the truly beautiful song 4 Steps, a song I have heard Maija perform solo in the past, but played here with more edge and angst, another tune that has a captivating melody.

When the end to The Ultimate End’s set arrives there is great appreciation from the audience and a demand for more, but they leave us… wanting more… the ultimate beginning for The Ultimate End. If you get the chance sometime soon, I would recommend checking out a live performance by this band, unfortunately they’re such a new band they don’t have any web pages of any sort, so we’ll keep you posted on any gigs we hear about.

Bear & The Woods – Sink or Swim EP

22 Tuesday Jan 2013

Posted by luthersboogie in EP Reviews

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americana, Bear & the woods, buoyancy aids, down down, folk, Jonah, Music, Reading, Sink or swim, Wolf

Bear & the Woods - Sink or Swim EP

Bear & the Woods – Sink or Swim EP

Bear & The Woods released their debut EP last week entitled Sink or Swim, for me it was a first chance to cop a listen of a band whose name is weaving its way around the Reading music ether. It’s odd how a name can conjure up an idea in the mind as to how a band will sound and in some respects I was somewhere near and in others I wasn’t. Rather obviously maybe I was expecting this to growl which it does in a youthful bear cub way but musically it is slightly more folk with a touch of a rougher irreverent edge.

It’s fair to say that Folk, Americana and Country are on the up in the UK of late with the chart friendly Mumford and Sons seemingly on anything and everything I tune into on the radio or TV. The upside of this though is the positive effect it’s having on this genre of music as a whole and, for bands like Bear & The Woods, that can only be a good thing. Their sound manages to do that tricky thing of straddling both US and UK sounds with a very English rough and ready folk vocal style, slightly aggressive but in not scary way, and although the singer professes in opening track Buoyancy Aids that “My lyrics are shit”, I think he may be fishing for compliments because I’m liking his lyrical style. There’s story telling here a plenty.

For me the opening track is the most instantly captivating with its seesaw arrangement scattergun drum beat and rattling guitars and mandolin riff, the more I hear it the more I’m liking it, which is always a good sign, I can imagine this being a great song live too. Wolf is a lovely, lilting song with some great harmonies which you can’t help but sing along with “I’m just a lamb dressed as a wolf, carry me home, carry me South”. Jonah has more pop sensibilities than the other three songs and is quite catchy but for me is the weakest of the four songs. They finally tick all the boxes by stripping it right down for the lament Down Down, a heartfelt song of sadness if ever there was one. The arrangements throughout the EP are very well thought out and considered with very nice earthy production, it sounds like real music by real musicians. All in all I think I’ll always enjoy Buoyancy Aids but Down Down is a song that I think I’ll be listening to in years to come.

This is definitely a band I’ll be seeking out to go and see, I’d suggest you do the same too. Check out Buoyancy Aids below and then ignore all the signs go feed those Bears, buy their EP…

– Posted using BlogPress from my iPad

Kicking Television at BBC Introducing

18 Friday Jan 2013

Posted by luthersboogie in Live Review

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BBC Introducing, Kicking Television, Music, Reading

Kicking Television

Kicking Television at BBC Introducing

So having hardly been to BBC Introducing I find myself going two weeks in a row. This week I made my way down in a bitterly cold wind to watch Kicking Television, a band formed in 2012 from the dying embers of Johnny Arrow and the Cheap Day Returns, rising like a Phoenix as it were. They released the excellent big twanging riff of a pop song ’41 Miles Due West’ in May, replete with noisy guitars and the sort of catchy hook that snags in your ear.

Tonight they kick off with that very same track and it strikes me immediately what good musicians they all are, it’s easy when you play noisy pop to fall into the trap of not worrying to much about musicianship, but there’s none if that here. The guitar chimes, the bass and drums thump and the vocals tie it all together in a joyously riffing tune, I even find myself singing along with the ooohhh oh oh ooohhh oh oh chorus line. Lead vocalist and guitarist Jonathan Amphlett has a quintessentially English pop voice and a style that harks back to the sixties but also puts me in mind of a lot of bands from the end of the eighties and early 90’s such as the Revolver or Anna and even US bands Goo Goo Dolls and The Posies.

After a blistering start the tunes keep rolling, with Alex Bowen fiercely glued to his bass beating out bass lines of intensity and Simon Amphlett on drums playing with a look of effortless ease, we’ve soon passed through Old Vince, Concerts for King and Very Trying before you know it. All the bands songs are beautifully constructed and they manage that rare thing with a 3 piece to have a full on sound, dropping in and out in just he right places, I keep trying to think what they could add to there sound and I can’t think of anything that wouldn’t just be added for the sake of it.

As we head toward the end of the set they play a song close to their hearts and the inspiration for their band name Kicking Television by Wilco a rip roaring shambolic song, noisey greatness if ever there was. Finally they round off the set with Confluence during which they pull off a great false ending which includes frozen mannequin poses held just long enough for you to think maybe the wind has changed direction and they are stuck there…. bang they’re back and the set is over to great applause.

If you want to hear more then go get this tune ‘41 Miles Due West’ you won’t be disappointed.

More info on the band here

– Posted using BlogPress from my iPad

Location:Oakford Social in Reading 16 Jan 2013

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Music to drink beer too whilst chewing on a brick.

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