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Category Archives: Live Review

Here Comes The Sun

17 Saturday Aug 2013

Posted by luthersboogie in Live Review, Uncategorized

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americana, Backwards Country, Berkshire, Here Comes The Sun, Luke Paulo, Reading, Rising Sun Arts Centre, The August List, The ultimate end, Vienna Ditto

Here-comes-the-sun-logo

It hardly seems possible that it’s already a year since I was last sat in the sun watching bands at the aptly, well definitely this year, ‘Here Comes The Sun’. What can I say it’s been a great summer and many a festival up and down the country has breathed a huge sigh of relief that the festival season hasn’t been devastated by bad weather this year. Here Comes The Sun, for those who don’t know it is the once a year one day festival held by and at ‘The Rising Sun Arts Centre’ in Reading. The day largely features bands who have played throughout the year, in support of raising money to keep this aging institution alive and kicking. Every space both inside and out of this rather lovely and slightly crumbling, Victorian building are made use of with a mixture of solo performers, bands and performance artists. The atmosphere is suitably warm and friendly from this close nit family of artists and audience and the variety of music on show is wide and various from your more traditional singer songwriters to the more Avant-garde electronica. There’s a great bar serving fine ales all day and a food stall, although I didn’t try the food as I was warned it could take up to an hour to arrive, unusually long for savoury pancakes, but hey ho, that’s not why we’re here. I spent the day wandering from room to room to garden and back again catching some old favourites as well as some acts that I hadn’t seen before. Of the bands I got to see, I particularly enjoyed Luke Paulo and the Grapefruit with his dark noir folk tones and rather beautifully accompanied by a lovely graceful dancing woman who expressed the songs exceptionally well. Then there was Rebecca Lambert who I had not heard before, wow what a lovely sparkling voice and with some entertainging and warming chat between songs. Also of note for me on the day were The Herberts who I am quickly growing fond of there slightly ramshackle performances, the ever entertaining and graceful Vienna Ditto, The Ultimate End with their swirling and pumping Eighties influenced tunes, and one of my favourite bands The August list who have a new EP coming soon, I caught bits and pieces of other acts as I flitted about during the day, but due to the slightly awry running order I’m not one hundred percent sure who they all were, it may also be that the beer effect had started to kick in by late afternoon and I simply can’t remember. if only I could have seen and remembered more, oh well there’s always next year.

The full list of who I did and didn’t see is as follows:

The Jettes
Vienna Ditto
The Ultimate End
Damien A Passmore & The Loveable Fraudsters
Alan Clayson & The Argonauts
The August List
Los Chicos Muertos
Rebecca Lambert
Holdin’ Court Showcase
Punch Drunk Lover
Filip Hnízdo
Haze
Johnny Hoggett
Buildings on Fire
Christina Hogg
Luke Paulo and The Grapefruit
The Two Sisters
Frillerz
Lawrence Piddock
the herberts
Jodie O’ Callahan
Bentcousin
Boredoms In The Bathroom

Wood Festival 2013

03 Monday Jun 2013

Posted by luthersboogie in Live Review

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Alt. Country, Alternative Folk, americana, Country, Music, Oxfordshire, Wood Festival

Wood Festival 2013

Oxford Ukeleles perfoming at Wood Festival 2013

Wood, oh Wood, why have I never been before? Life is to short for regrets as I often say, but sometimes you feel you may have been missing out, and this festival is a prime example. What made Wood Festival so appealing you may ask, well it’s almost hard to put your finger on, but I would say it’s the fact that it’s a festival that thinks its more a party for a huge bunch of mates, there’s no pretentiousness to proceedings, ask a lot of the people attending and they won’t have heard a lot of the bands on the bill, but they are there enjoying them all the same, happy to explore the unknown. The rather cool side of the festival is the family oriented nature of it. A friend at the festival summed it up when she said “most of the time I have to leave festivals well before the fun really starts because the kids are tired and bored, I’ve spent all day keeping an eye on them and haven’t got to enjoy any of the music I want to see. At Wood it’s me who has to drag the kids away at the end of the night, there’s so much for them to do.”

This is the key, it’s a festival that caters for the family, a family where parents have grown up loving live music, going to festivals and socialising with friends made on muddy fields all over the country. Now with the responsibilities of looking after young charges most festivals just aren’t aimed at or suitable for families with young kids.

I spent the full three day weekend at this lovely festival, nestled on the side of a small hill at the beautiful Braziers Park. The site was well organised, plenty of space, an awesome Ale tent (no crappy sponsored larger tent here) great food options including vegetarian, at very sensible prices. Workshops galore and a large kids tent with a plethora of activities, all included in the price. There was a healing field which I took advantage of, my backs not felt this good for a while. There were a sprinkling of stalls and two stages, the main Wood Shed stage and the Tree stage. The festival is run on renewable energy and featured a large solar panel array by the main stage.

The music kicked off on Friday at 6pm, and although the site had only been open for 3 hours there was already a reasonable crowd for the opening act Julie Hawk, who gave a quite ethereal soundtrack to setting up my camper. On the first evening I flitted between the two stages catching performances by The August List who, despite their pump organ jamming up in the damp spring evening air, put on a very engaging performance and even threw in a joke or two. Danny and the Champions of the World rocked the main stage and managed to cram a rather large amount of musicians on the small stage, it’s the first time I’ve caught them live and I have to say frontman Danny Wilson has got one hell of a voice and they have some superb songs in their locker, my one gripe was over use of the long solo break within some songs, but that’s a personal thing, everyone else seemed to love it. In between I managed to catch parts of sets by Jess Hall with some heartbreaking songs and the thoroughly entertaining Oxford Ukuleles who managed to take any genre of song and turn it into a compelling and entertaining string and vocal triumph. They certainly got everyone in the tent singing along. Finally on the main stage the headline act that I had been looking forward too, Mary Epworth, I have to say at this point the band had a few technical issues to start off with, and the constant changing of instruments by the band members for each song gave the performance a very disjointed and almost rehearsal room feel. It might be a bit harsh but I’d also suggest that they get a dedicated drummer, that apart the band managed to pull it out of the bag during the later half of the set which showed off Mary Epworth’s talent for writing and delivering songs of real strength, passion and beauty.

Saturday’s Music got underway at 1pm, with the weather warming up and the sun making ever more lengthy appearances through the high cloud. I admit at this point my ale drinking started a little earlier than is normal these days, but this just served to make the day flow even better. Again, I wandered between Main Stage, Beer Tent, Tree Stage and back again. There was a lot to see, and as with all festivals you have to make a choice between who to see and who to miss, so to all those that I missed I apologise, but for me the performances I clocked and enjoyed were Adam Barnes, not only did he have one of the finest beards of the weekend he sung some beautifully mournful songs, which he seemed to apologise for at the end, there really was no need, the performance lifted the atmosphere which to that point had been a little subdued. The mournful was then flipped on its head as Jack Cade and the Everyday Sinners took to the stage to deliver a rousing country, alt country come rockabilly set, a veritable mix of tunes with a deep Tom Waits style vocal complimented by some lovely backing vocals, which was very uplifting in the sunshine. Flights of Helios then took the music of on another tangent under the now bright blue sky. Later in the day I caught Paper Aeroplanes who were, I must say pretty damn awesome, particularly when delivering some great new material from there recently released album ‘Little Letters’. Into the final stretch of the evening I caught three sets of real note each completely different, first up we’re aptly named Wood Brothers, this trio of guitar bass and drums with vocals all round really show why bands from the States really have the edge when it comes to performing live, I know they gig one hell of a lot and it shows, they got the field up on it’s feet for some awesome roots country. During the change over I shot over to the Tree Stage to catch some of Edd Keene and his pulsating loop pedal grooves, if there is and instrument Edd doesn’t know how to play I’m not sure what it is, maybe it’s the Hurdy Gurdy that La Mort Subite frontman Zarand wields with such dexterity. I’m not sure I’d usually be the first in line to see a band with this instrumentation, but they’ve certainly changed my mind on that score with a rip-roaring set that took the already lively crowd to another level with their Eastern European folk and Gypsy Jazz set. It’s not an easy feat to follow on from the Wood Brothers, however, they pulled it off. Wow what a day.

On Sunday, feeling a little jaded, ok pretty hung over to be truthful, from the previous days endeavours at the bar, and the late night revelry around the big fire, suitably or unfortunately situated by the bar, I set myself up at the tree tent stage for the day (apologies to the bands on the main stage). The reason for this is that today the tent has been taken over by one of my favourite labels, Clubhouse Records, as far as I can see this should be a pretty flawless day. It kicks off with Mad Staring Eyes who I’m unfamiliar with, they deliver a strong and wholesome set with a good balance of harmonies between the male and female leads and some clever lyrical numbers. They are followed by Paul McClure, who delivers some poetically subtle folk tunes in between some brilliantly comical observations. The Arlenes delivered the perfect match of male and female vocals, there voices really do work well together. Case Hardin I’m very familiar with and they are in fine form today with a set of laid back heartfelt songs, they’ve added a new member since I last caught them, and it really does enhance there set with the addition of violin and keys, which both serve to complement Pete Gow’s rough hewn gems. The Redlands Palomino are a blast following on, with their edgy guitars and sweet, sweet lilting tunes, what great vocals and so the beers begin to flow slightly to freely again, which just makes the music mellow me out even more and broaden the smile ever so slightly.

By the time we hit the evening we are into the Nebraska sessions, which features each of the artists from the day performing a rendition from Springsteen’s seminal album. This is a thoroughly entertain set as each artist or band takes to the stage delivering the songs in a variety of styles, the stand outs for me are Redlands Palomino, Case Hardin and Dreaming Spires.

The night is rounded of by a thoroughly great performance with some driving, uplifting tunes from The Dreaming Spires, what a grande way to finish off an inspiring and uplifting weekend. The band are also behind the organisation of the event, I have to say, hats off to them for creating such an excellent event, but also for having the hubris to give the prime slots of the weekend to other acts.

Wood you were awesome, thanks for a great weekend of lovely people, music, entertainment and revitalisation.

August List at Club Velocity

24 Friday May 2013

Posted by luthersboogie in Live Review

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americana, Backwards Country, club Velocity, Reading, Rising Sun Arts Centre, The August List

The August List

The August List at Club Velocity

It’s another busy night down at Club Velocity at The Rising Sun, probably one of the best regularly promoted nights you’ll come to in Reading, even taking into account the sometimes ropey PA. Tonight there are three bands, all of which I’d be more than happy to see, that they’re on the same bill is a bonus. The line up is Luke Paulo and the Grapefruits, August List and Vienna Ditto. I’m only here to review August List however, so I can kick back and relax as Luke Paulo kicks the night off with his first gig proper with his newly formed backing band.

Every time I’ve seen August List I always come away thinking the same thing, I must go see them more often, unfortunately life and a plethora of other gigs to cram in seem to conspire to make this not so. If you’ve not seen the band of two, I won’t call them a duo as they play more instruments than most bands with three times the members, they are a roots Americana/backwards country affair hailing from Dorset but now based in Oxfordshire. They are Kerraleigh – Vocals, Harmonica, Percussion, Melodica, Stylophone and pump organ, along with Martin – Acoustic & Electric Guitar, Vocals, Banjo, Percussion and big bass drum. Together they make a heavenly foot stomping sound full of texture, sing along lyrics and the sort of tunes that put a broad grin on your face. If these two lived in the southern states of the US they’d would, I’ve no doubt, be constantly in demand and on tour.

Ok, so at this point I’ll have to apologise if i get any song names wrong as most weren’t introduced, so i made educated guesses, undoubtedly all wrong. They kick off tonight with an excellent tune ‘Cut your teeth’ which sets the tone for a set that has raw rough edges yet is beautifully emotive. Kerraleigh has her work cut out as instrumentation changes for each song along with singing duties, her voice at times reminding me of Tammy Wynette and then at others of Janis Joplin. Whilst Martin delivers the rhythm and beat of the band and has a slightly gruffer, warm and mellow folk vocal, together they compliment each other perfectly. As we head through the set I recognise tracks off their debut Handsome Skin EP, including the witty ‘Death Penalty’, one of my favourites ‘Bird House Song and the exceptionally catchy ‘Forty-Rod of Lightnin’, I seriously have had that tune constantly buzzing around my tiny brain for the last week. The set weaves its way through a mixture of instrumentation and songs that go all the way from easy going to a full on foot stomping finale. All this is tied together with a stage presence that is confident, warm and charming, and from an audience perspective one that makes you feel you’re welcomed in as part of the performance. By the time the set is reaching its climax the crowd are moving, feet are beating the rhythm and even the heads at the back are nodding along.

So, what are you waiting for, go get down, and take in some porch country folk style sounds when they hit a venue near you, I promise, it’ll be worth it.

Check out The August List at https://www.facebook.com/theaugustlistmusic

Ethan Johns at South Street

07 Thursday Feb 2013

Posted by luthersboogie in Live Review

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Alt. Country, americana, Country, Ethan Johns, folk, Reading, South Street

It’s Saturday night in February and I find myself once again in South Street on the strong recommendation of a friend that I really should go down and see Ethan Johns. So here I am, I have to say largely due to the artists track record as a guitarist and producer for such artists as Ryan Adams and Laura Marling, because I have to admit that I’m at this gig cold, having not heard any of his material and to be honest I have no real idea what to expect, and it would seem a large portion of the audience are equally unacquainted with his work.

As so often seems to be the case at these South Street events it appears to be a sell out. As I take my seat, with a table, this is gigging in comfort, I am pleased to see an intriguing stage set-up, I’m sure he’s playing solo but there seems to be an array of gear that could easily accommodate 3 if not 4 musicians. To the left there’s a mighty fine looking piano that wouldn’t look out of place on Neil Young’s stage, there are several vocal and instrument mic’s set for seated and standing, a fender amp, acoustic and electric guitars and the coolest tape machine that could have been swiped from the set of a 1950’s science fiction movie.

Ethan appears on stage promptly at 9, and ambles around with a slightly distracted look, as if he’s not quite sure where would be the best place to kick off tonight’s proceedings, it has the quality of theatre about it, feeling as if I’m just at the start of some intriguing play. Ethan decides that it’s best to start off seated, gently greeting the audience in a soft considered voice, I have to say that I’m am both impressed and slightly jealous of his mighty fine beardage.

His first number is a melodic finger picking number that immediately puts me in mind of Josh Ritter in his early years, before he went all Bruce Springsteen. This introduction is a beautiful subtle folk number, but if I thought with this first song I have him pegged then I am proved wrong with the very next number ‘Across The Valley’, which is more country roots/rock played on electric with a great riff running through it. This, it soon becomes apparent, is the way the set will ebb and flow, from soft and subtle, to dark and edgy, these are songs of light and dark but at their heart you always feel a positive message flowing.

As the set begins to roll and Ethan seems to relax into his set, loosing some of the early nervousness, the songs regularly switch in sound and style, there are a mix of acoustic and electric numbers and in the middle of the set a rather stunning number ‘Eden’ on piano, ‘The Turning’ introduces the tape machine with a pulsating rumble underpinning the melody, hats off to him for lugging that big bit of kit to the gig for one number, other bits of electronic gadgetry are introduced along the way, including where told, a box that contains the essence of Laura Marling for the track Whip Poor Will, but these are all used in a subtle way that always compliment the tracks and never swamp them.

As the set eases to its finale and we are warned that to avoid awkwardness there will be no encore, I find I have been thoroughly drawn into Ethan’s assorted mix of Americana with its English folk twist and warmed to his soft spoken slightly awkward charm, and man, that is a great beard.

– Posted using BlogPress from my iPad

The Ultimate End

29 Tuesday Jan 2013

Posted by luthersboogie in Live Review

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Alternative, club Velocity, Music, Reading, The rising sun, The ultimate end

The Ultimate End

The beginning of The Ultimate End

When you hit the stage for the first time as a newly formed band, regardless of the months spent writing and hours meticulously rehearsing your set, it’s always a big ask to expect a performance of confidence and continuity delivered with a swagger, however, it can happen, and tonight was a case in point for Reading’s latest band The Ultimate End. It has to be said the band are comprised of musicians and singers who have their own individual track records, but even so, this was a great first gig. If my expectations prior to the gig were high then they are now raised somewhat more for any future gigs.

Front man James Histed led the way, it’s the first time I’ve seen him play without a low slung guitar over his shoulder, he moved, he swayed, he even leapt around the stage, in-spite of the rather heavy looking shoe wear, cool flares and velvet jacket trying to drag him back down to earth. I know James is a great admirer of Jarvis Cocker, and some of his moves owe much to his idol, but vocally he puts me in mind of a modern day incarnation of Peter Perrett crossed with Howard Devoto, he has great vibrato quality to his vocal and an ability to go from spitting out words to an almost operatic squeal. But the vocals truly hit the highs when the backing of Maija comes into play at key points in the songs. On bass, hiding under the peak of his cap Zac Yeo beats out the sort of bass lines any bass player would love to get their hands on. In the left corner, caged behind amps, keyboards and PA speakers was Raji, belting out some snarling guitar riffs, I see now why he’s been hemmed in. If I new the drummers name it would be here too as he managed to hit rhythms that both complimented and were an integral part each song, without trying to dominate, drumming as it should be.

Musically the band well and truly deliver a slice of classic eighties alternative rock. As they move through this short introductory set various references spring to mind Magazine, The Cure and Japan are top of the list. That’s not go say they directly sound like those bands but there is a definite sense of inspiration, luckily, unlike so many eighties inspired bands I’ve heard of late where, having lived through that decade, I can see where they have lifted their tunes, The Ultimate End are very much their own band.

There were several stand out moments for me, I loved the tracks ‘The final Breakdown’ and ‘It’s all over for you’ but the two songs that linger in the memory are ‘Speciesism’ which has got one hell of a fuck off bass line, I didn’t want it to stop, particularly when the aggressive distorted keyboard solo kicked in followed by a Stylophone, Rolf never played it like that when I was a kid, if only I’d have realised its potential back then, this is a song to end a show with if ever there was one. Hard on it’s heals was the truly beautiful song 4 Steps, a song I have heard Maija perform solo in the past, but played here with more edge and angst, another tune that has a captivating melody.

When the end to The Ultimate End’s set arrives there is great appreciation from the audience and a demand for more, but they leave us… wanting more… the ultimate beginning for The Ultimate End. If you get the chance sometime soon, I would recommend checking out a live performance by this band, unfortunately they’re such a new band they don’t have any web pages of any sort, so we’ll keep you posted on any gigs we hear about.

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Twang Nation – The Best In Americana Music

Music to drink beer too whilst chewing on a brick.

'Rebel' Rod's - From Under The Basement

Music to drink beer too whilst chewing on a brick.

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The Mad Mackerel

Americana | Country | Folk | Garage | Indie | Psychedelia | Punk

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